She also discusses her early writings, first publications and entry into the literary circle.Ītwood uses personal anecdotes from her own experiences as a writer to discuss the process of an author finding their role as a writer. Atwood writes about her childhood and parents, as well as her experiences in high school and at university. Margaret Atwood includes some autobiography in her exploration of the role of the writer. Who makes the trip to the Underworld, and why? Autobiography The eternal triangle: the writer, the reader, and the books as go-between
Who waves the wand, pulls the strings, or signs the Devil’s book? Mammon: at whose altar should the writer worship?Ĥ Temptation: Prospero, the Wizard of Oz, Mephisto & Co. What is "a writer," and how did I become one?Ģ Duplicity: The jekyll hand, the hyde hand, and the slippery doubleĪpollo vs. Strange Things: The Malevolent North in Canadian Literature, was based on a lecture series given at Oxford University. The book also includes a prologue and an introduction entitled "Into the labyrinth" in which she describes the process of creating this particular work.Ītwood has also created other works of non-fiction from lecture series she has given. Each chapter of the book addresses one question regarding the writer’s position and craft. The book is organized into six chapters drawn from each of the six lectures.
In her introduction, she describes the work as being not about how to write or about her own writing, but rather the position a writer finds him or herself in. Cambridge University Press first published it in 2002.Ītwood edited six lectures she gave at the 2000 Empson Lectures at the University of Cambridge into a non-fiction work on writing.
Negotiating with the Dead: A Writer on Writing is a non-fiction work by Canadian author Margaret Atwood.
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